Sharon Ethgar - Threads drawing on paper I have a tendency to 'dance around the subject' in all my writing, ideas and concepts. But it's fair, because as soon as you define something you then start to define a counter argument. Otherwise it's not a full fleshed out idea. But then you end up with a whole lots of maybes, perhaps and I don't knows. That's basically every project I've done so far in my final year. Realised I have no idea what I'm doing. And that's not a bad thing

Nostalgia is not what it used to be. Nor are a lot of things. A big part of my current project - and creative work in general - is looking back to look forward. Finding patterns in behaviour, trends, colour and shape to try and imagine what the future will look like. The current project a memory of a memory, discusses the idea of weave as a contemporary craft. There's constant debate around the definition of craft and the impact it has on it's practice. The concept that craft

Falling. It's that feeling of starting a project. Reading through a brief. Details half sinking in amidst a rush of both fear and fancy. Suddenly a flow of ideas starts gushing out and there's a scramble of hands - always too small - cupped to try and catch something of worth. I started my last major textile design research project a while back now. Yet for the first time delayed the writing. It seems a mistake to rush in with the words, when I'm barely sure of the meaning be